Nikon has introduced the ZR, its first cinema camera co‑designed with RED. The hybrid model blends RED’s color science and video codecs with Nikon’s advanced subject‑detect autofocus and five‑axis in‑body stabilization. Featuring a partially stacked 24‑megapixel sensor with Dual Base ISO 800/6400 and 15+ stops of dynamic range, the ZR can record up to 12K RAW video and supports multiple RAW and ProRes formats. Built‑in 32‑bit float audio, versatile mic patterns, and a high‑brightness 4‑inch display round out a feature set aimed at creators seeking high performance at a lower price point. Read more →

Nikon has introduced the ZR, its first cinema camera co‑designed with RED. The hybrid model blends RED’s color science and video codecs with Nikon’s advanced subject‑detect autofocus and five‑axis in‑body stabilization. Featuring a partially stacked 24‑megapixel sensor with Dual Base ISO 800/6400 and 15+ stops of dynamic range, the ZR can record up to 12K RAW video and supports multiple RAW and ProRes formats. Built‑in 32‑bit float audio, versatile mic patterns, and a high‑brightness 4‑inch display round out a feature set aimed at creators seeking high performance at a lower price point. Read more →

Nikon has introduced the ZR, its first cinema camera co‑designed with RED. The hybrid model blends RED’s color science and video codecs with Nikon’s advanced subject‑detect autofocus and five‑axis in‑body stabilization. Featuring a partially stacked 24‑megapixel sensor with Dual Base ISO 800/6400 and 15+ stops of dynamic range, the ZR can record up to 12K RAW video and supports multiple RAW and ProRes formats. Built‑in 32‑bit float audio, versatile mic patterns, and a high‑brightness 4‑inch display round out a feature set aimed at creators seeking high performance at a lower price point. Read more →

Nikon has introduced the ZR, its first cinema camera co‑designed with RED. The hybrid model blends RED’s color science and video codecs with Nikon’s advanced subject‑detect autofocus and five‑axis in‑body stabilization. Featuring a partially stacked 24‑megapixel sensor with Dual Base ISO 800/6400 and 15+ stops of dynamic range, the ZR can record up to 12K RAW video and supports multiple RAW and ProRes formats. Built‑in 32‑bit float audio, versatile mic patterns, and a high‑brightness 4‑inch display round out a feature set aimed at creators seeking high performance at a lower price point. Read more →

Nikon has introduced the ZR, its first cinema camera co‑designed with RED. The hybrid model blends RED’s color science and video codecs with Nikon’s advanced subject‑detect autofocus and five‑axis in‑body stabilization. Featuring a partially stacked 24‑megapixel sensor with Dual Base ISO 800/6400 and 15+ stops of dynamic range, the ZR can record up to 12K RAW video and supports multiple RAW and ProRes formats. Built‑in 32‑bit float audio, versatile mic patterns, and a high‑brightness 4‑inch display round out a feature set aimed at creators seeking high performance at a lower price point. Read more →

Sony's RX1R III brings a full‑frame 61‑megapixel sensor and a fixed Zeiss 35mm f/2.0 lens to the premium compact market. The camera delivers stunning image quality and impressive autofocus tracking, but its design compromises include a lower‑resolution viewfinder, a non‑articulating screen and the absence of in‑body image stabilization. Video features are limited to 4K at 60fps without advanced tools. While the sensor and lens combination produce remarkable photos, the trade‑offs may deter buyers seeking a more versatile high‑end compact. Read more →